BARB BLACHARCZYK

<i>Deep Sea Flux</i><br>
                    2012
                    Graphite, ink, acrylic, photos, on multiple layers of Dura-Lar, 
                    94 x 43 inches
<i>Deep Sea Flux</i><br>
Detail
<i>Formation of a Shell #4</i><br>
2010 / Graphite and Ink on Paper / 44 x 30 inches
<i>Formation of a Shell #2</i><br>
2009 / Graphite, ink, marker on paper / 39 x 25 inches
<i>Formation of a Shell #3</i><br>
2009 / Graphite and Ink on Paper / 69 x 50 inches
<i>Formation of a Shell #3</i><br>
Detail
<i>Formation of a Shell</i><br>
2009 / Graphite and Gouache/ 55 x 45 inches
<i>Ribbons and Pods</i><br>
2010 / Ink, marker, collage on multiple layers of Duralar / 39 x 25 inches
<i>Murex</i><br>
2009 / graphite and ink on multiple layers of Duralar / 19 x 24 inches
<i>Unwinding Cone Shell</i><br>
2010 / Ink and marker on multiple layers of Duralar / 39 x 25 inches
<i>Unwinding Cone Shell</i><br>
Detail
<i>Botanical Flux</i><br>
2011 / Ink and Acrylic on Multiple layers of Duralar / 57 x 40 inches
<i>Botanical Flux</i><br>
Detail
<i>Cocoon Flux</i><br>
2011 / Graphite, Ink and Acrylic on Multiple Layers of Duralar, 
39 x 25 inches
<i>Cocoon Flux
Detail

Formation and Flux Series

Formation and Flux explores nature’s instinctive processes of formation, adaptation, and transformation. Beginning with the structure of seashells, I investigate how organic forms emerge and how unseen forces guide their growth. This inquiry expanded to include other natural forms—flora, fauna, and anatomical structures—revealing patterns and symmetries that suggest a shared logic within nature’s design.

My process mirrors these ideas. Each piece begins with representational sketches made through direct observation, a traditional practice for understanding form. In the studio, I reinterpret these drawings through abstraction, using ink, graphite, and mixed media. Vigorous mark-making captures the energy of creation, while transparent layers compress time, embodying moments of growth and transformation. In works on Dura-Lar, a translucent archival mylar, I draw, paint, cut, and collage across multiple layers. This physical buildup becomes a metaphor for evolution itself—matter shifting and accumulating toward new forms.

Formation and Flux invites viewers to reflect on the interconnectedness of life and the invisible forces that shape it.